Because of the pandemic, many of the regular guests for SXSW stayed home, so the attendance for the festival was lower than before. This also reflected on the Picnic, with fewer people. But the atmosphere was as it always is at Leeann’s – friendly, open, welcoming and including. And social distancing, for those who wanted, was not a problem. (Photo above: Jon Langford)Continue reading
The last day of SXSW 2019 I spent seeing the excellent film Nothing Stays The Same in the afternoon, before walking over to South Congress and the Bloodshot Records party behind The Yard Dog. After dinner I went to The Continental Club to see the bands there. To me this was the perfect closing to a hectic and successful SXSW. Photo above: Ben Dickey)
Keith Urban is one of the most successful country artists ever, and he is also an artist who is constantly expanding the definition of country, mixing it with different styles thereby creating his own unique fusion style of country music. At Friday he talked at the conference and played a full 90 minutes concert at the Stubb’s outdoor venue during SXSW.
Ray Benson‘s birthday party as a fundraiser for HAAM is an Austin tradition during SXSW. The passes are sought after, and there are always some big name surprise guests on stage with Ray and his house band, Asleep At The Wheel. Through the years I have seen many great artists at this event, Willie Nelson, The Avett Brothers, George Strait, Carolyn Wonderland and many others.
Nile Rodgers is one of the most successful musician, producer, composer in our time. He is also one of the artistically greatest. Through the work of CHIC, David Bowie, Madonna, Daft Punk, Pharrell Williams and countless others he has been part of the soundtrack for several generations in the Western world. This year Nile Rodgers was the keynote at the SXSW Music Conference.
This year’s Barn Dance after SXSW is over, was my 19th Barn Dance so far. They have all been different, but all have had the same kind of ingredients: great bands and artists, great food, great surroundings, and most of all, great people from South Austin and the world around. A lot of things is happening in Austin that slowly takes away what makes it my favorite city. I just hope the Barn Dance will survive those changes for many years still to come. (Photo above: Darling West with Leeann Atherton)
One of the good things about SXSW is the mix of all kinds of styles. There is a misconception among some of my fellow Norwegians that in Texas, everything is about country music. They can’t be more wrong, and specially during SXSW. I’d rather say there could be a little more country at the festival. On Wednesday I managed to see two metal bands – one sludge metal, the other doom metal – two country/Americana acts, a psychedelic pop act, one old time rock hero, a pop and rock singer songwriter and a modern pop artist. (Picture above: Aurora)
Thursday night at SXSW I went for country music and Americana. Loretta Lynn played at Stubb’s, so I started there. Then I went over to The Gatsby and saw Sam Outlaw, Wynonna Judd, Hayes Carll, Asleep At The Wheel and Jack Ingram. That was not the worst way to spend a night in Austin.
The first Monday during SXSW this year I was invited by an artist I know, to ride with him and his family to Donn’s Depot. I had never been there before, but what a place! That first night I ended up being there, talking with the musicians after the show until the place closed for the night. Last Monday I just had to go back again.
The first time I saw Ian Moore was in 2005, and then some years later at the Continental Club. I remember his playing and his extrovert show as something special. This year he played at the Continental Club again during SXSW, at 1 AM the last day of the festival. And it was the perfect artist to close SXSW for me.